Every instrument has its own frequency range, dynamic character, and role in the mix. Here’s how to process each one from individual channels through parallel processing.

Important: Route all parallel sends back into the instrument group. This ensures the blended signal gets proper stem processing.

Vocals (Lead, Doubles, BGVs)

Inserts: Subtractive EQ → Functional Comp → Transient Shaper → Channel Strip → Vintage EQ/Comp → Saturation → Manny Tone Shaper → Vitamin → Smart:EQ (Lead vs. BGVs).

Parallel Processing:

• Parallel Compression
• Parallel Distortion
• Parallel Air
• Parallel Reverb/Delay: Short Plate, Slap (HPF @ 300Hz, blend low).

Drums (Kick, Snare, Toms, OH, Rooms)

Inserts: Subtractive EQ → Functional Comp → Transient Shaper → Channel Strip → UA 1176 / Distressor → Manny Tone Shaper → Vitamin → Smart:EQ.

Parallel Processing:

• Parallel Compression: CLA-76 (Smash) — Fast attack/release.
• Parallel Distortion: Berzerk or J37 — Aggressive EQ.
• Parallel Reverb: Short Room (Blend low for snap).

Guitars (Electric & Acoustic)

Inserts: Subtractive EQ → Functional Comp → Transient Shaper → Channel Strip → Saturation → Manny Tone Shaper → Vitamin → Smart:EQ.

Parallel Processing: Parallel Distortion, Parallel Compression.

Bass (DI & Amp)

Inserts: Subtractive EQ → Functional Comp → Channel Strip → Multi-band Comp → Manny Tone Shaper → Vitamin → Tape.

Parallel Processing:

• Parallel Distortion: Berzerk or J37 — EQ for “clank.”
• Parallel Compression: CLA-76 for sustain.
• Optional Transient Shaping on DI track for pick attack.

Keys / Synths

Inserts: Subtractive EQ → Functional Comp → Transient Shaper → Channel Strip → Saturation → Manny Tone Shaper → Vitamin → Smart:EQ.

Parallel Processing: Parallel Distortion (HPF 150–300Hz), Parallel Compression.